The following experimental digital documentary poem is composed of citations of William Ellery Leonard's new verse translation of the Old English poem Beowulf (1923), George Gales's Upper Mississippi: or, Historical Sketches of the Mound-Builders, The Indian Tribes, and the Progress of Civilization in the North-West (1867), and "The Spirit Raccoon," a Ho-Chunk narrative of Lake Mendota by a storyteller once known, collected by Charles E. Brown and the Folklore Section of the Federal Workers' Project in Wisconsin in Wisconsin Indian Place Legends (1936).
When this MOUND web page is loaded and/or reloaded, server-side code selects and loads a random collection of lines from a relational database of citations:
And with battle-bucklers, as his prayer had been.
The animal that the priest or relatives had directed the departed.
From this legend Lake Mendota obtained its Indian name.
So the Geatish clansmen bemoaned their dearth.
Whirling Thunder, Hole-in-the-Day, Clear Sky, Screamer, etc.
Found a hiding place in a hollow log. One of the Indians.
A MOUND upon the headland, that was broad and high.
According to that, such chiefs must go without honor to.
Wonkshekhomikla, "where the Indian lies."
Laid their Lord beloved, weeping in their dearth.
Was, among many others, taught by Pythagoras and Plato.
The Indian wisely desisted. The other hunter had no such scruples.
Framing a word-chant, speaking of the King.
These effigies may have been designed to perpetuate the name of.
And that a dire calamity would befall him if he killed it.
MOUNDS by Maxwell Gray is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. (Based on a work at https://madisonmounds.com.) Project research and development take place at the Wisconsin Historical Society Library and Archives and University of Wisconsin—Madison. Both institutions occupy ancestral Ho-Chunk land called Teejop (day-JOPE) ("Four Lakes"), where the Ho-Chunk people have lived and called home since time immemorial. Indeed, both institutions were founded upon exclusions and erasures of the Ho-Chunk and other Indigenous peoples. Today, the Ho-Chunk and other Indigenous peoples continue to have a special connection to the region's land and water, and to resist white settler colonialism and conquest in the state. The project is committed to the development of new modes of collaboration, engagement, and partnership for the care and stewardship of past and future heritage collections and objects. (Learn more about Cultural Institution (CI) notices at Local Contexts.)